Galerie NoD Amplification Daniel Vlček & Antonín Gazda, Jiří Suchánek & Pavla Beranová, Lukáš Likavčan & Selmeci Kocka Jusko Cooperation: Giovanni Cecconi, Johana Rotterová Kurátor: Pavel Kubesa Opening: 27. 1. 2026, 18:00 28. 1. - 27. 2. 2026 The original impetus behind the artistically driven, research-based, and interdisciplinary exhibition project ZESÍLENÍ (Amplification) is a reflection on the ways ecological reality is disclosed to us: it is not something outside of us, but rather an intricate network of being that touches our body and mind at once. The project directly continues Daniel Vlček’s 2023 residency in the Venetian Lagoon and expands through the work of additional authors and through interdisciplinary collaborations. In the initiating project Confluence at Marignana Arte, presented during the Venice Biennale 2024, Vlček developed the concept of the “lagoon” as a symbol of a complex ecological superorganism, in which the interface between culture and nature is intermingled and a daily confrontation of the relation between elemental forces and being is opened up. Positioned between a site-specific installation and a scientific laboratory, the multimedia exhibition seeks to simulate planetary processes of nature while also amplifying biological and physical processes that shape the changing environmental conditions of life in the Anthropocene.
This event is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only.
This performace is in Czech only.
This performance is in Czech only!
This event is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This event is in Czech only!
This event is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This performance is in Czech only!
This performace is in Czech only.
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only!
This performance is in Czech only.
This concert presents the chamber music of Marek Kopelent and Petr Kotík, two composers whose names are closely associated with the new music group Musica Viva Pragensis, which was established at the Prague Conservatory around 1961, bringing together enthusiastic young composition students. This year the two composers celebrate significant anniversaries, which is why this evening will be a celebratory one!
An alternate date for the concert, which was supposed to take place in February 2021, but due to the coronavirus pandemic we had to postpone it. Marián Lejava (1976) The leading contemporary Slovak conductor and composer Marián Lejava (1976) is a regular guest at the Slovak National Theatre and with the Slovak Philharmonic, and is known mainly in the Czech Republic as a conductor. Today’s ‘portrait’, however, presents him principally in his second and perhaps even more important role as a composer and dramaturg with a limitless imagination. The concert features two of his world premieres and one Czech premiere. The concert’s special guest will be the Slovak violinist Milan Pal’a.
The Cycle S 2022/2023 concert season opens in the USA: John Cage – a proponent of aleatoric experimental music and lover of art and mycology. Elliott Carter – graduated in music and English from Harvard University, the focal point of his art was atonal music and his compositions are among some of the most demanding for listeners. He was twice awarded the Pulitzer Prize for Music and won a Grammy Award in 1993. We will introduce the chamber music of Cage and Carter using four compositions from various creative periods of the two composers with substantial time gaps. John Cage wrote Three Pieces for Flute Duet when he was 23, Elliott Carter composed his Oboe Quartet – for Oboe and String Trio when he was 93.
Programme Henryk Górecki For you, Anne-Lill for Flute and Piano Op. 58 (1956) Krzysztof Penderecki Der unterbrochene Gedanke for String Quartet (1988) Henryk Górecki Clarinet Quintet: Piece for Clarinet and String Quartet Op. 71 (1996) Krzysztof Penderecki Sextet for Violin, Viola, Cello, Piano, Clarinet and French Horn (2000)