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Radek Brousil & Viktor Timofeev: The Hammer Strikes the Bell

How can one depict the city today when it is no longer merely an urban whole, but also a psychic landscape, a data infrastructure, and a space of permanent tension? And how can one grasp the metropolis at the moment when its everyday reality breaks down into layers of personal projections, collective affects, and invisible systems that shape our movements, relationships, and modes of perception? The international exhibition project The Hammer Strikes the Bell by New York-based Latvian artist Viktor Timofeev and Czech artist Radek Brousil, prepared together with curators Boris Ondreička and Pavel Kubesa for Prague’s NoD Gallery, enters precisely this field of meaning. Here, the city does not appear as a stable backdrop, but as a living, multilayered organism in which subjective experience collides with the logic of late-postmodern infrastructures. The joint project by Brousil and Timofeev is conceived as a complex exhibition situation in which images, drawings, and a spatial site-specific installation are interwoven into a scenographic whole. The exhibition reflects the specific chronotope of the metamodern gigapolis — a city that is simultaneously a concrete place and a mental state, a set of material structures and a field of imagination. The artists are interested in the intricate image of buildings, people, technologies, and collective psyche that emerges from the structures of today’s metropolises. The exhibition is therefore not built on a mere dialogue between two media or two artistic signatures. More important is the very nature of their encounter: both Brousil and Timofeev have long cultivated a sensitivity to what remains beneath the surface of the visible world, whether power regimes, infrastructures, cultural codes, or unspoken models of identity. From this perspective, The Hammer Strikes the Bell transforms the gallery space into a situation in which the city becomes not only a theme, but also a method. The viewer does not enter a closed narrative, but rather a mutable scenery in which a wide range of individual and collective dramas may unfold. Viktor Timofeev (*1984), whose practice clearly extends beyond the framework of Central and Eastern Europe, is an internationally established artist living and working in New York, whose interdisciplinary practice brings together drawing, painting, video, sound, software, and experimental games into complex environments situated at the intersection of autofiction, worldbuilding, and systems thinking. In 2025, he presented his most extensive museum exhibition to date, Other Passengers, at the Latvian National Museum of Art in Riga; he has also exhibited at the Hessel Museum of Art in New York, Bozar in Brussels, and the National Gallery in Prague. Radek Brousil (*1980) enters this dialogue as an artist who has long reflected on the relationship between image, material, and social reality. In his post-photographic approach, he combines photography with textile, object, video, installation, and painting, and consistently engages with socio-political and environmental themes, postcolonial tendencies, and the question of a “new sensibility.” His work grows out of a critical relationship to standardized interpretations of late capitalism, the Anthropocene, and global power relations, and has increasingly also turned toward the politics of time. Brousil is among the notable figures of the Czech art scene with strong international experience, as confirmed by his projects in London, Brussels, Budapest, Tokyo, and other institutions.  

Vyprodáno

MICHAELŮV MASHUP

This event is in Czech only!

Vyprodáno

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.
Vyprodáno

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.
Vyprodáno

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.

MICHAELŮV MASHUP

This event is in Czech only!

FAKE CRIME / Joke Division

This performance is in Czech only!

Premiéra

MICHAELŮV MASHUP

This event is in Czech only!

UNDERGROUND COMEDY CLUB

This performance is in Czech only.

HAMU Graduate Choreography Showcase

An evening of graduation projects by third-year choreography students at the Academy of Performing Arts (HAMU).  Nadkroví Barbora Sváčkov…

ŠPIONI / Brémy

This performance is in Czech only!

JÁ, DIAGNÓZA / + - VeDvou

JAK SE DĚLÁ DIVADLO / Divadlo MASO

This performace is in Czech only.

Vyprodáno

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.
Vyprodáno

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.
Vyprodáno

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.
Vyprodáno

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

Vyprodáno

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

Vyprodáno

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

SCAMMERS ATTACK / Janek & Natálka & collective

Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…

SCAMMERS ATTACK / Janek & Natálka & collective

Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…

FAKE CRIME / Joke Division

This performance is in Czech only!

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.

UNDERGROUND COMEDY CLUB

This performance is in Czech only.

JAK SE DĚLÁ DIVADLO / Divadlo MASO

This performace is in Czech only.

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

FAKE CRIME / Joke Division

This performance is in Czech only!

UNDERGROUND COMEDY CLUB

This performance is in Czech only.

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.

27 LITRŮ UMĚLÝ KRVE / Janek & Natálka & kol.

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

THE LEGEND OF LUNETIC / Janek & Natálka & kol.

This performance is in Czech only!

JAK SE DĚLÁ DIVADLO / Divadlo MASO

This performace is in Czech only.

SCAMMERS ATTACK / Janek & Natálka & collective

Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…

SCAMMERS ATTACK / Janek & Natálka & collective

Scamming is art. They have been with us since the beginning of mankind. They are all around us. And they are more and more of them. There´s no place you…

JÁ, DIAGNÓZA / + - VeDvou

FAKE CRIME / Joke Division

This performance is in Czech only!

UNDERGROUND COMEDY CLUB

This performance is in Czech only.

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VIDEO NoD: Jana Bernartová - View possibility

Video NoD
Jana Bernartová: View possibility
Curator: Veronika Zajačiková
February 22. - March 3, 2018

A blind spot of grey

Ever since the theory of perception of the world has been held through five senses. These include touch, hearing, smell, taste and sight. When vision plays the most important role in our culture environment. Intuitively we perceive and try to under- stand the signals of our body. Delicate, lightly de ned feelings such as tingling in your fingers, feeling of coolness, or getting rid of basic senses often point to changes in your surroundings. Sensitive sensation perception is accompanied by sensitization, perception of fine (hidden) events and vibrations.

Jana Bernartová examines in her work the relationship between the virtuality of the digital space and its material transitions into the world of things. The center of her research and scientific interest becomes color (its perception or display). It could be said that from a physical point of view, color is only a visual perception, and it does not exist in itself and only de fines the re flection of the light on the retina of the eye. We see the color due to electromagnetic radiation that has been reflected or partly or fully ab- sorbed by the fabric. What color is determined by wavelength and frequency.1

The idea of (not) accuracy or how colors are displayed in digital and real environment, the author has been developing the RGB Liquid Crystal Cycle since 2016. By default, became a desktop with typical blue that bears the digitization of the sign R0G0B255 and its material equivalent in the form of the ultramarine colored pigment. The videos represented in the Dis- play Options project go further, focusing on the technologies themselves and their ability to capture differently. The resulting color of the surface of the blue pigment at otherwise digitally senses the digital came- ra or camera sensor. The resulting image of the video denies the static (material) nature of the pigment - when the reader presents its grain to its viewer. In the Video NoD project, the author naturally has the resulting coloration influenced by differences in the imbalance of projection devices.

Jana Bernartová, in her work, looks for hid- den systems and orders of digital or real environment, working with technical differences and errors. She is the author of several computer softwares, and although it is a matter of mathematics and physics, her game and even the most accurate technologies get into situations where human senses and imperfections are gaining.

In the empty virtual (desktop) environment of the monitor, we are able to materialize the real world objects that our world would be without our senses. Our mind would be like the grey area of the monitor in sleep mode.

1 Blue shades range from ~ 430-500 nm (wavelength) ~ 700-600 THz (frequency).

 

Video NoD
Jana Bernartová: View possibility
Curator: Veronika Zajačiková
February 22 - March 3, 2018

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